File Size: 233504 KB
Print Length: 144 pages
Publisher: Watson-Guptill (August 29, 2017)
Publication Date: August 29, 2017
The guide breaks down as comes after: Light, Exposure, and Shade (Light and the technology of color, Exposure and color, White balance and color temperature); Color and Composition (Using color for high impact images, the color wheel, complementary colors, Monochromatic colors, Color and visual weight, Using color as a seamless history, Using motion); Color and Mood (The psychology of color, Red, Orange, Yellow-colored, Green, Blue, Purple, Whitened, Black); Using Tools to boost Color (Filters, Photoshop).
The concepts are all photographed properly to achieve an easy understanding of the data presented. I especially that way Peterson shows examples of the same image - one hit poorly and one shot effectively. It's a great way to observe how little things make such a huge difference. From color weight (something small in the image taking up importance as it stands away against the rest of the background) to contrasting colors (want someone to stand out in a cluttered background like a forest? Put them in a bright red outfit). Even analogous colors and having someone harmonize with a very open atmosphere (e. g., las vegas dui attorney dress people in white on a beach shoot instead than dark purple) is discussed.
Color as weather also to give different interpretations of the same image is also fully protected. Peterson includes a myriad of examples - from macros to portraits, scenics to picture journalism. the book is thorough yet it isn't overly written and is not hard to follow. In all, strongly recommended to help professional photographers take their photography to the next level of impact. Reviewed from an advance reader copy provided by the publisher., Once again, Bryan Peterson really does a phenomenal job of creating an easy to understand book that is all about Understanding Color in Photography: Using Color, Structure, and Exposure to Generate Vivid Photos; this time he also enlists the expertise of Susana Heide Schellenberg. Being a somewhat novice, for fun photographer, I came across this book as simple to understand as the other one of his previous books that I actually have read, Understanding Direct exposure. This can be a book you can read and then go out and start practicing the techniques right away. Not only is guide good for beginning professional photographers like myself, but I feel that it also provides tips and tricks for the more advanced photographers.
With over thirty years of experience in photography, Bryan knows his stuff. He gives a general overview of some of the more complex color concepts and “why” and then delves just a little into some of the interesting scientific facts on why we see color the way we do and how a camera sees color without boring the reading. Each webpage has captivating photos that go along with the general theme which he is discussing in that segment (from colors, to pallettes, to some of the better ways to post-process, although he doesn’t recommend doing a lot) and with each picture this individual includes what specifics this individual used on his camera for capturing the photos.
From first after i received the book, I think for a book on color, the cover of red, blue, and green with a small yellow trace was instead boring; however, when he got to the part in the book on component and subtractive colors, the reason that picture was chosen made all the more sense (not certain if it was deliberate, but for blog benefit, I am going to assume it was). Actually though he had Susana co-author this book with him, they may be of the same mindset and voice when writing that the entire structure flows nicely and it’s easy to forget there are two authors at points. I suggest this book, or Bryan’s other aforementioned book, to whoever wants to gleam even more knowledge on the art of photography.
WaterBrook Multnomah Publishing Group provided this book to me personally for free in exchange for this honest review as part of their Writing a blog for Books program.
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