File Size: 12259 KB
Print Length: 80 pages
Publisher: Walker (October 16, 2014)
Publication Date: October 16, 2014
While the Holocaust could have a place in fiction, a adventure such as "The Mozart Question" cannot contradict qualified historical facts. The essential reality is that there was no likelihood for the violinist's parents to have met in a Nazi concentration camp, aside from of having played together in a orchestra. Male and woman prisoners were invariably strictly segregated. While in reality there actually existed a prisoners' orchestra in Auschwitz, it was known as the women's or girls' orchestra, and definitely do not contain any men. This simple truth is pretty well documented: several factual publications have been written about it, notably "Playing For Time, " by Fanya Fenelon, which was even turned into a movie. The leading part in the movie was played by Vanessa Redgrave, who had allowed the girl head to be shaved for the role, with the intention to verisimilitude. That is one thing the illustrator of the book also yearns for: the mother is attracted with long hair and everything the orchestra players are shown with hair.
You should definitely orchestra having been forced to play exclusively Mozart, that is Michael Morpurgo's basic conceit: without it there might have been no book. Therefore , while it, too, contradicts historical facts, I guess we have to make allowances for this invention.
For the survivors of the Auschwitz orchestra, they looked upon their experience as their passport to survival and there might have been no reasonable reason for them to react by rejecting their instruments and their love of music after the the War. But finally every survivor had to battle his / her own demons, so there is no accounting for or contrary to the reaction portrayed in this guide.
With these caveats in mind, I would suggest this book for young visitors interested in music., The Holocaust is the defining night at the heart of the 20th Century that we all must keep in mind - and wrestle with -- if we ever before hope to find peaceful solutions in the 21st Century. But, the idea of writing a wonderful mystery novel for young readers about the Holocaust is a daring problem, to say the minimum. These issues are very serious and dreadfully tragic.
Michael Morpurgo is the same to the task in "The Mozart Question. " Within a final note to readers at the conclusion of his new guide, he states that he or she was prompted to place this tale, in part, by a glimpse one day in Venice of a son in his shorts, sitting over a sidewalk, infatuate by a street artist. This vision of child years awe came at a time that Morpurgo was thinking about writing for young readers about the horrors of the Holocaust.
I won't spoil the mystery by detailing how he connects those two elements (they boy on the street and the Holocaust) - but he does so in a suspenseful way that will keep young visitors turning pages.
This may sound disturbing, like a fairy adventure spun from inappropriate materials - but Morpurgo intelligently frames this story in concrete words that have a ring of truth for modern readers. In the opening pages, for example, there's a young reporter hot on the trail of an interview in Venice that will make global statements. There's one question - the Mozart question - that this young reporter is forbidden to ask. Of course, that's precisely the question that will arise in the course of the book.
Illustrations by Michael Foreman are gorgeous, rendered in almost ghostly outlines that evoke the strong thoughts and vivid locations in this tale.
This specific is the type of book that might be used with readers - young or old - as a starting point in a class or discussion group about family histories and the Holocaust. But it certainly won't take a institution assignment for readers to rocket through this beautifully illustrated novella.
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